Londres
Hudson Theatre
Broadway - Etats-Unis
Construction: 1903
Topologie du théâtre
Nombre de salles actives: 1
Salle 1: (1050) 1903 - Actif
Accès
En métro:
En bus:
Adresse:
141 W. 44th St., New York, NY
Evolution
Bâtiment:
Nom:
Propriétaire(s)
Remarquable
1050
1903 - Actif
J.B. McElfatrick, Israels & Harder, architects. Built by producer Henry B. Harris, managed by his wife Rene after his death on the Titanic in 1912. Often used as a TV studio in the 1930s, 40s, and 50s. In 1974, it was a blue movie theatre. In 1980, it became the Savoy, a rock club. In 1987, it received landmark status, so owner Henry Macklowe incorporated it into his adjacent hotel, the Millennium Broadway Hotel, using it as a conference center and auditorium. The venue re-opened as a legitimate Broadway theatre in 2017, operating under the Ambassador Theatre Group.
Théâtre
Original Broadway
1) Burn This (Original Broadway)
Joué durant actuellement
Première preview: ven. 15 mars 2019
Première: mar. 16 avril 2019
Dernière: Open end
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Michael Mayer •
Chorégraphe:
Avec: Adam Driver (as Pale), Keri Russell (as Anna Mann), David Furr (as Burton), and Brandon Uranowitz (as Larry)
Commentaire: Three-time Emmy Award nominee and "Star Wars" favorite Adam Driver and Golden Globe winner Keri Russell are set to star in the first-ever Broadway revival of Lanford Wilson's Burn This, joined on stage by Tony Award nominees David Furr and Brandon Uranowitz.
Directed by Tony Award winner Michael Mayer, performances are expected to begin on March 15, 2019 at Broadway's Hudson Theatre.
Burn This originally premiered off-Broadway, starring John Malkovitch and Joan Allen, in 1987. It transferred to the Plymouth Theatre on Broadway that same year and ran for a total of 437 performances from October 7, 1987 to October 29, 1988. (plus)
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Musical
Original
16) Head Over Heels (Original)
Joué durant 5 mois 2 semaines
Nb de preview: 37 previews
Première preview: 23 June 2018
Première: 26 July 2018
Dernière: 06 January 2019
Compositeur:
Parolier:
Libettiste: Jeff Whitty •
Metteur en scène: Michael Mayer •
Chorégraphe:
Avec: Andrew Durand (as Musidorus), Taylor Iman Jones (as Mopsa), Jeremy Kushnier (as Basilius), Bonnie Milligan (as Pamela), Peppermint (as Pythio), Tom Alan Robbins (as Dametas), Alexandra Socha (as Philoclea), and Rachel York (as Gynecia)
Commentaire:
Presse: "You would think that a sexually polymorphous musical that combines a Renaissance pastoral romance with the songs of the 1980s Califoria rock group The Go-Go's would at the very least be a hoot, a show that could get sloppy drunk on its own outrageousness. Yet Head Over Heels, which opened on Thursday night at the Hudson Theatre, feels as timid and awkward as the new kid on the first day of school. Make that the new kid who longs to run with the wild crowd but can’t quite commit to being as bad as coolness demands. Directed by Michael Mayer, who has been more than competent at the helm of Broadway rock musicals like American Idiot and Hedwig and the Angry Inch, Head Over Heels lacks the courage of its contradictions. It mutters deferentially when what you want is a rebel yell." Ben Brantley for New York Times
"Broadway traditionalists may not approve, but that feels like part of the point. Head Over Heels is a fantasy and celebration of nonconformity, and it puts its casting where its mouth is with an ensemble that is diverse in race, gender and size. Honoring the beat, in this merry Arcadia, means making room for different drummers." Adam Feldman for Time Out New York
"Back to the source, Sir Philip called his prose romance, a trifle. Indeed that's just what Head Over Heels is. And if that's your speed, you may just flip for it." Roma Torre for NY1
"If you have trouble imagining songs like "Vacation" and "Cool Jerk" fitting into a scenario depicting a royal family's romantic complications, you still will after seeing this relentlessly frothy musical, for which the term "check your brain at the door" could have been invented. The farcical, gender-fluid shenanigans are as campy as things get on Broadway. And that's saying something." Frank Scheck for Hollywood Reporter
"From the sets and costumes to the performance style, the basic principle seems to be: Less is boring and more is never enough. Thanks, no doubt, to the Oracle of Delphi (played here by the impishly funny Peppermint), it’s a miracle that at least some of the wit in Jeff Whitty’s original book gets through." Marilyn Stasio for Variety
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Théâtre
Original Broadway
15) Parisian Woman (The) (Original Broadway)
Joué durant 3 mois 1 semaine
Nb de preview: 25 previews
Nb de représentations: 116 représentations
Première preview: 09 November 2017
Première: 30 November 2017
Dernière: 11 March 2018
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Pam MacKinnon •
Chorégraphe:
Avec: Uma Thurman (as Chloe), Josh Lucas (as Tom), Blair Brown (as Jeanette Simpson), Marton Csokas (as Peter), and Phillipa Soo (as Rebecca)
Commentaire: Academy Award nominee Uma Thurman makes her Broadway debut in The Parisian Woman - a new play by Oscar and Emmy Award nominee Beau Willimon (the mastermind behind Netflix's "House of Cards").
Ms. Thurman leads a starry cast which includes Josh Lucas, Tony Award winner Blair Brown, Marton Csokas, and Tony Award nominee Phillipa Soo, who are all guided by the capable directorial hands of Tony Award nominee Pam MacKinnon. Judging from the astronomical success of "House of Cards", Mr. Willimon knows exactly how to create dramatic tension in the political arena. Undoubtedly, The Parisian Woman is following suit and causing quite the stir on the Great White Way!
Set in Washington D.C., the play is littered with fresh references to the current President of the United States and weaves a twisting tale of backstage politics, leverage, and blackmail. These plot twists are as unbelievable as they are likely to occur in today's regime, when a man who is caught boasting about sexual exploitation still ends up running the country. The Parisian Woman is also a very modern exploration of relationships, placing the non-traditional under the spotlight. Chloe (Ms. Thurman) and Tom (Mr. Lucas) enjoy an open relationship which proves advantageous when external love interests wield power and influence in the political circuit. Ultimately, we discover that Chloe's love for her husband allows her to stop at nothing to see him climb the ladder.
Mr. Willimon's script is well-written and structured, even to the point where a midway through drop in pace disarms the audience and leaves us unprepared for the startling revelation of the next scene that hits us out of nowhere. And the production is certainly well-cast with Ms. Thurman's multifaceted and mysterious allure perfectly matching the enticing Chloe. In addition, Josh Lucas provides an earnest likeability as Tom, Marton Csokas provides the comic relief in the moments of Peter's desperation, Blair Brown is wonderfully sovereign as Republican Jeanette Simpson, whilst Phillipa Soo masters the difficult arc of her daughter Rebecca with confidence and vulnerability. (plus)
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Théâtre
Original Broadway
14) 1984 (Original Broadway)
Joué durant 3 mois 2 semaines
Nb de preview: 38 previews
Nb de représentations: 125 représentations
Première preview: 18 May 2017
Première: 22 June 2017
Dernière: 08 October 2017
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Duncan Macmillan • Robert Icke •
Chorégraphe:
Avec:
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Musical
Revival
13) Sunday in the Park with George (Revival)
Joué durant 1 mois 4 semaines
Nb de preview: 11 previews
Nb de représentations: 61 représentations
Première preview: 11 February 2017
Première: 23 February 2017
Dernière: 23 April 2017
Compositeur: Stephen Sondheim •
Parolier: Stephen Sondheim •
Libettiste: James Lapine •
Metteur en scène: Sama Lapine •
Chorégraphe:
Avec:
Commentaire:
Presse: “Destined to be forever spoken of with misty-eyed bragging rights by anyone who sees it.” – Ben Brantley, The New York Times
“Jake Gyllenhaal is radiant. His searing theatrical presence and unwavering focus seems to consume and illuminate the dark. He has a voice of richly flexible timbre that confidently elicits the most delicate shades of passion and despair.” – Ben Brantley, The New York Times
“The luminous Annaleigh Ashford delivers a performance with both gorgeous precision and spontaneous warmth matched by her eloquent singing.” – Ben Brantley, The New York Times
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Réouverture du Théâtre
Réouverture du Théâtre
Fermeture du Théâtre
Fermeture du Théâtre et devient studio de radio et de télévision, boîte de nuit, cinéma et espace pour les événements d’entreprise.
Théâtre
Reprise
12) Becket (Anouilh) (Reprise)
Joué durant 2 semaines
Nb de représentations: 27 représentations
Première preview: Inconnu
Première: 08 May 1961
Dernière: 27 May 1961
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Peter Glenville •
Chorégraphe:
Avec: Laurence Olivier (Henry II), Arthur Kennedy (Thomas Becket), Marie Powers (The Queen Mother), Edward Atienza (The Pope), Hilary Beckett (His Daughter), Mel Berger (Third English Baron, First Monk from Hastings), Brian Crowe (A Young Monk), Christopher Culkin (Henry's Younger Son), Peter De Firis (A Servant), Robert Duke (Henry's Page), Robert Eckles (Louis), Margaret Hall (The Queen), Ferdi Hoffman (Fourth English Baron), Will Hussung (First French Baron, The Bishop of Oxford, William of Corbeil), Tom Leith (His Son, A Monk), Julian Miller (A Young Footsoldier, Second Servant), Earl Montgomery (Gilbert Folliot), Madeline Morgan (A French Girl), Dennis Rosa (Henry's Elder Son), Dran Seitz (Gwendolen), Dino Terranova (A French Priest, Cardinal Zambelli), Victor Thorley (The Bishop of York, The Provost Marshall), Sydney Walker (Second French Baron, A Priest, The Archbishop of Canterbury), Robert Weil (A Saxon Peasant), Ronald Weyand (Second Monk from Hastings, Second English Baron), Claude Woolman (The Duke of Arundel, A Soldier), Louis Zorich (First English Baron, An Old Footsoldier)
Commentaire: Reprise du London Run après trois mois d'inteeruption. Laurence Olivier joue cette fois Henry II et c'est Arthur Kennedy qui incarne Thomas Becket. (plus)
Presse:
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Revue
Original
11) Lew Leslie’s Blackbirds of 1939 (Original)
Joué durant 1 semaine
Nb de représentations: 9 représentations
Première preview: 11 February 1939
Première: 11 February 1939
Dernière: 18 February 1939
Compositeur: *** Divers • George Gershwin • Sammy Fain •
Parolier: *** Divers •
Libettiste: *** Revue •
Metteur en scène:
Chorégraphe:
Avec: Joyce Beasley, Atta Blake, Joe Byrd, Bobby Evans, Hamtree Harrington, Laurene Hines, Lena Horne, Norman McConny, Dewey Markham, Taps Miller, Tim Moore; Blackbirds Beauties: Catherine Stevenson, Mae Francis, Thelma Walton, Billie French, Rosetta Williams, Edna Slatten; Blackbirds Dancing Chorus: Baby Simmons, Marion Egbert, Marie Robinson, Cleo Hayes, Evelyn Sheppard, Muriel Cook, Madelyn Donable, Lucia Moses, Juanita Boisseau, Eva Bradley, Peggy Sheppard, Gladys Clayton; Whitey’s Lindy Hoppers: Norma Miller and George Greenidge; Mickey Jones and William Downes; Gladys Crowder and Shorty Eddie; Joyce James and Joe Daniels; Ann Johnson and Billy Williams; Van Grona’s Negro Swing Ballet Dancers: Hazel Spence, Wahneta Talley, Violet Gray, Hettie Stephens, Elizabeth Thompson, Beryl Clarke, Lavinia Williams, Marion Brown, Beryl Murray, Verona Blackburn, Dorothy Jones, Edith Ross, Edith Hurd, Mary Tennant, Williard Taylor, Renu Roma, Al Bledger, Coleman Hill; J. Rosamond Johnson’s Choir: Sopranos—Kate Hall, Marian Coleman, Zelda Shelton, Louisa Howard, Marguerite Robinson; Altos—Ruthena Matson, Jennie Taylor, Rosetta Crawford, Rosalie King, Leona Avery; Tenors—Walter Hilliard, Charles Welch, Gaylord Caldwell, James Logan, Richard Grant, Jerry Laws; Baritones and Basses—Frank Riley, Gilbert Adkins, Larri Lauria, Horatio Edwards, Robert Clarke; and Dr. Sausage and His 5 Pork Chops
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Théâtre
Original
10) By Request (Original)
Joué durant
Nb de représentations: 28 représentations
Première preview: 27 September 1928
Première: 27 September 1928
Dernière: October 1928
Compositeur:
Parolier:
Libettiste: Elliott Nugent • John Charles Nugent •
Metteur en scène: John Charles Nugent •
Chorégraphe:
Avec: Willis Claire (Gerald Onglow), Jules Epailly (Antonio Rini), Charles Halton (The Pullman Porter), Milton C. Herman (A "Red Cap"), Norma LeeHarry McNaughton (Freddie Page), Grant Mills (Hal Curtiss), Elliott Nugent (William Abbott), J. C. Nugent (John Hector Henry), Verree Teasdale (Claudia Wynn), Eleanor Winslow Williams (Judith Swann)
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Théâtre
Original
9) Whispering Friends (Original)
Joué durant 2 mois 1 semaine
Nb de représentations: 112 représentations
Première preview: 20 February 1928
Première: 20 February 1928
Dernière: May 1928
Compositeur:
Parolier:
Libettiste: George M. Cohan •
Metteur en scène: Sam Forrest •
Chorégraphe:
Avec: Walter Edwin (Daly), Edith Gresham (Natalie), William Harrigan (Joe Sanford), Elsie Lawson (Doris Crawford), Chester MorrisAnne Showmaker (Emily Sanford)
Commentaire:
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Théâtre
Original
8) Los Angeles (Original)
Joué durant 1 semaine
Nb de représentations: 16 représentations
Première preview: 19 December 1927
Première: 19 December 1927
Dernière: January 1928
Compositeur:
Parolier:
Libettiste: Donald Ogden Stewart • Max Marcin •
Metteur en scène: Sam Forrest •
Chorégraphe:
Avec: Alan Brooks (Eddie Trafford), G. Davidson Clark (Lucius Towne), Frances Dale (Ethel Grierson), Frank Ford (Joe Britt), Jack La RueMartha Manners (Cynthia Nelson), Jane Oaker (Mrs. Canfield), Rosalie O'Reilly (Pearl Wiley), Neil Pratt (Mark G. Livermore), Thelma Pritchard (Nita), Mary Robinson (Mamie Prentice), Walter W. Shuttleworth (Tom Ellery), Alison Skipworth (Mrs. Jones), Louis Sorin (Mr. Rosebud), Harold Vermilyea (Hobart Towne), Helen Vinson (Miss Harrison), Daniel Wolf (Butler)
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Théâtre
Original
7) Home Towners (The) (Original)
Joué durant 1 mois 1 semaine
Nb de représentations: 64 représentations
Première preview: 23 August 1926
Première: 23 August 1926
Dernière: 01 October 1926
Compositeur: George M. Cohan •
Parolier:
Libettiste:
Metteur en scène: John Meehan •
Chorégraphe:
Avec: Spencer Bentley (Bell Boy), Georgia Caine (Lottie Bancroft), Walter Calligan (Stone), Florence Earle (Nellie Calhoon), William ElliottPeg Entwistle (Beth Calhoon), Doris Freeman (Maid), Ben Johnson (Mort Calhoon), Robert McWade (P.H. Bancroft), Chester Morris (Waly Calhoon), Walter Plimmer (Joe Roberts), William Walcott (Casey)
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Théâtre
Original
6) American Born (Original)
Joué durant 2 mois 3 semaines
Nb de représentations: 88 représentations
Première preview: 05 October 1925
Première: 05 October 1925
Dernière: December 1925
Compositeur:
Parolier:
Libettiste: George M. Cohan •
Metteur en scène: George M. Cohan •
Chorégraphe:
Avec: Daisy Belmore (Foster), Leonard Booker (F. B. Maxwell), Charles Cardon (Andrews), H. Cooper Cliffe (Sir Arthur Pettering), George M. CohanHamilton Cummings (George Maxwell), Lawrence D'Orsay (Graham), Lorna Lawrence (Annie), Ralph Locke (Julius Snellinburg), Arnold Lucy (Delford), Joan MacLean (Joycelyn Pettering), Aline McDermott (Lady Bertram), Harry McNaughton (Forrest Blythe), Claire Mersereau (Lydia Bertram), Allan Ramsay (Welles), John M. Troughton (Jeffries), Bobby Watson (Stephen Clarke)
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Théâtre
Original
5) Song and Dance Man (The) (Original)
Joué durant 2 mois
Nb de représentations: 96 représentations
Première preview: 31 December 1923
Première: 31 December 1923
Dernière: March 1924
Compositeur:
Parolier:
Libettiste: George M. Cohan •
Metteur en scène:
Chorégraphe:
Avec: Alice Beam (Anna), Laura Bennett (Mrs. Lane), Alexander Bushee (Freddie), Louis Calhern (Joseph Murdoch), George M. CohanRobert Cummings (Jim Craig), Mary Agnes Martin (Miss Davis), John Meehan (Tom Crosby), Mayo Methot (Leola Lane), Frederick Perry (Charles B. Nelson), William J. Phinney (Crowley), William Walcott (Curtis), Eleanor Woodruff (Jane Rosemond)
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Théâtre
Original
4) So This Is London (Original)
Joué durant 9 mois
Nb de représentations: 343 représentations
Première preview: 30 August 1922
Première: 30 August 1922
Dernière: June 1923
Compositeur:
Parolier:
Libettiste: Arthur Goodrich •
Metteur en scène: John Meehan •
Chorégraphe:
Avec: Edmund Breese (Hiram Draper), Lily Cahill (Lady Amy Ducksworth), Marie Carroll (Eleanor Beaucamp), Lawrence D'Orsay (Sir Percy Beaucamp), Donald GallaherMarion Grey (Lady Beaucamp), Edward Jephson (A Flunkey at the Ritz), John M. Troughton (Thomas), Robert Vivian (Jennings), Wallace Widdecombe (Alfred Honeycutt), Leah Winslow (Mrs. Hiram Draper)
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Théâtre
Revival
3) Tavern (The) (Revival)
Joué durant 1 semaine
Nb de représentations: 27 représentations
Première preview: 23 May 1921
Première: 23 May 1921
Dernière: June 1921
Compositeur:
Parolier:
Libettiste: Cora Dick Gantt • George M. Cohan •
Metteur en scène: George M. Cohan • John Meehan •
Chorégraphe:
Avec: Joseph Allen, Eugenie Blair, Ellen Ripley Bowles, George M. Cohan, William Gaunt, Robert Gleckler, Joseph Guthrie, Norman Hackett, Virginia Irwin, Clyde North, Rita Romilly, Joseph Selman, William L. Thorne, Edwin Walter, Isabel Withers
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Théâtre
Original
2) Nemesis (Original)
Joué durant 3 semaines
Nb de représentations: 56 représentations
Première preview: 04 April 1921
Première: 04 April 1921
Dernière: May 1921
Compositeur:
Parolier:
Libettiste: Augustus Thomas •
Metteur en scène: John Meehan •
Chorégraphe:
Avec: Charles P. Bates (Counsel for the Defense), Roland Bottomley (Dr. Simpson), Emmett Corrigan (Mr. Kallan), John Craig (Mr. Davis), Robert CummingsPedro De Cordoba (Mr. Jovaine), Jennie Dickerson (Jeanne), G. Clayton Frye (The Judge), Marie Goff (Constance Wendell), Jerry Hart (A Warden), Howard Nugent (Witness), Frank M. Readick (Mr. Purdy), Olive Tell (Marcia Kallan), John M. Thoughton (James), Ethel Winthrop (Mrs. Purdy), Eleanor Woodruff (Grace Lonarby)
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